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Skill Builder Week July 23 - July 29

  Ensemble Week    July 30 - August 5

   

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Honorary Chairman


Zuill Bailey

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View and download photos from the 2016 workshops!

  Compliments of 

Harry Rosen


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  Cellospeak

YouTube Channel


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Cellospeak Faculty     




 


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Marion Baker studied cello with Orlando Cole at the Curtis Institute of Music and has had master classes with Janos Starker, Claus Adam, and David Soyer. Marion has performed as principal cellist with the Washington Bach Consort, Washington Chamber Symphony, Washington Concert Opera, National Gallery Orchestra, and the National Philharmonic. He is principal cellist of the Fairfax Symphony Orchestra. As a soloist, Marion most recently performed the Beethoven Triple Concerto with the Landon Symphonette. He has also performed the Tchaikovsky Rococo Variations with the Fairfax Symphony and the Haydn Symphony Concertante under the baton of Leonard Slatkin. Marion has also performed solo works with the Nashville Symphony, the Knoxville Symphony and the Prince William Symphony.

 

  

 

 

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Robert Battey  studied with Bernard Greenhouse and Janos Starker, holds performance degrees from the Cleveland Institute of Music and S.U.N.Y.-Stony Brook, and did doctoral work at Indiana University.   Bob was a cello professor at the University of Missouri and S.U.N.Y.-Potsdam, before moving to the D.C. area, where he taught chamber music at the Levine School.   He has appeared as soloist or recitalist in Canada, Mexico, and throughout the U.S., including at Carnegie Recital Hall and the Phillips Collection.  In recent seasons he performed the Saint-Saëns, Haydn, Lalo, and Beethoven Triple concertos with various D.C.-area orchestras, and last year he performed the complete Bach Cello Suites in a single concert at four different venues.  He has served as principal cellist of the Kansas City Lyric Opera, the National Philharmonic, the Florida West Coast Symphony, the Kennedy Center Orchestra, and the Alexandria Symphony, and also performed with the New York City Opera and the National Symphony.  Bob is Music Director of the Gettysburg Chamber Music Workshop, writes articles and reviews for the Washington Post and STRINGSmagazine, and blogs at Cellobello.com.  


 




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Nancy Baun  has performed in Carnegie's Weil Hall, Merkin Concert Hall, and Banff Centre for the Arts, as well as in Switzerland, France, Italy, Iceland, and the Netherlands.  She appears on numerous recordings, including the Naxos label.  A student of Orlando Cole in Philadelphia, she studied chamber music with Menahem Pressler, Timothy Eddy, and Jasha Brodsky and appeared in master classes for Lynn Harrell and Nadja Salerno Sonnenberg.  She was a fellow at both the Bach Aria Institute and the Aspen Music Festival.  Nancy has held faculty positions at the Bennington Chamber Music Conference, Gettysburg Chamber Music Workshop, and ASTA string camps, as well at Dickinson College, Messiah College, and SUNY Fredonia.  Now living in Buffalo, Nancy teaches music at an inner-city charter school and continues concertizing throughout the Mid Atlantic area with the Ravel Trio. With the help of Cellospeakers, she presents cello workshops in Washington State, Florida, Pennsylvania, West Virginia, and Washington DC. She has also been an award winning record producer, director of a national interdisciplinary arts conference and an international guitar competition, arts consultant, and taught cooking classes!   

 

 


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Lynne Bratlie Beiler began playing the cello at age 13 in Houston, Texas, and won the Corpus Christi Young Artist’s competition five years later.  Coming to Philadelphia, Lynne studied with Orlando Cole and William Stokking at the New School of Music.  Post-graduate studies have been with Jeffrey Solow of Temple University.  Lynne has played with the Florida Symphony, the Naples Philharmonic and has been principal cellist and soloist with the Colorado Philharmonic and principal cello with the Princeton Symphony.  As a substitute, Lynne has performed with the Philadelphia Orchestra and recorded under Riccardo Muti and Wolfgang Sawallisch.  Free-lancing, Lynne plays regularly with the Philadelphia Opera orchestra, the Ballet, and the Chamber Orchestra of Philadelphia.  After many years of traditional cello teaching, Lynne became interested in the Talent Education Method (Suzuki) and subsequently became nationally certified at all levels.  Her students, ranging in ages from 5 to 95, play with civic and youth orchestras and perform with a variety of chamber groups.  They have won numerous concerto competitions, and have been chosen to perform in master classes for noted cellists such as David Finckel, Peter Wiley, Colin Carr, Carter Brey and Irene Sharpe.

    

 

     


        

 

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Louise Butler  began her early training on the cello with Founder Dorothy Amarandos, continuing at  Eastman School of Music's Preparatory Department where she studied cello and theory. Later Louise attended Curtis Institute of Music in Philadelphia where she continued cello, piano, theory and quartet studies with the Guarneri Quartet.  Eugene Ormandy was her "school orchestra conductor" at Curtis.  She had such outstanding cello teachers as: Ronald Leonard, Alan Harris, Dodia Feldin, David Soyer, Benjamin Zander and Ana Dritelle. Before settling in Spokane, WA in 2000, Louise spent 23 years raising her two children while playing in Brussels' Radio and Television Orchestra, teaching in the Brussels' Conservatoire Royale and the American Community Schools in the UK while freelancing with her UK cello ensemble, Nightingale Cellos.  Currently she is a member of the Spokane Symphony and is a guest artist with Spokane's Allegro Baroque and Beyond; teaches privately, is on the faculty at Holy Names Music Center and Spokane Falls Community College. Louise performs with Selkirk String Quartet and Palouse Cello Babes (cello quartet), which she founded.   




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Amy Butler-Visscher  has been on the Cellospeak faculty since 2011.   A graduate of the Eastman School of Music, she studied with Orlando Cole, Paul Katz and Steven Doane and spent four intense summers at Tanglewood where she played in masterclasses for Yo-yo Ma and performed under such conductors as Seiji Ozawa, Kurt Masur and Leonard Bernstein. Ms. Butler-Visscher has been a member of the Kennedy Center Opera House Orchestra, the Mclean Orchestra and the IBIS Chamber Music Society and has performed in the Baltimore Symphony Orchestra, Harrisburg Symphony, the Philadelphia Orchestra and the New Jersey Symphony Orchestra. Most recently, she has performed in the Mostly Mozart Festival Orchestra at Lincoln Center. Ms. Butler-Visscher is a member of Trio of Two, which performs an eclectic mix of duos and trios throughout New Jersey where she lives with her family and her dogs. She plays on a Rafael and Antonio Gagliano  cello  made in Napoli in 1807. 










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Carl Donakowski  was a finalist in the Mendelssohn Competition in Berlin early in his career. Since then his recital performances have been enjoyed at the Kennedy Center and Merkin Hall in New York City. As a founding member of the Arcos Trio, Mr. Donakowski has performed on four continents and was awarded an Artistic Excellence grant from the NEA to perform and record works by Latin American composers on the Centaur label. Donakowski is Professor of Cello at the James Madison University School of Music in Harrisonburg VA where he received the distinguished teaching award. He is a frequent presenter at the American String Teachers Association national conference and a contributor to American String Teacher and currently edits the Cello Forum for the Virginia String Teachers Association. Donakowski was a student of Janos Starker and counts Timothy Eddy and William Pleeth among his mentors.  










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Jorge Espinoza is Assistant Professor of Violoncello at New Mexico State University and cellist of La Catrina String Quartet.  Mr. Espinoza taught the Peabody Conservatory of Music undergraduate and graduate cello studio as an assistant teacher of Stephen Kates.  He holds a Graduate Performance Diploma in Violoncello and a Graduate Performance Diploma in Chamber Music from Peabody Conservatory of Music.  He graduated with honors from Universidad Católica de Chile and received his Master's Degree in Music Performance on full scholarship from Carnegie Mellon University in Pittsburgh.   Mr. Espinoza has presented masterclasses and workshops in the United States and abroad, including at Portuguesa-Acarigua, Venezuela, part of El Sistema. His orchestral experience has included performances at the Kennedy Center with the National Symphony and orchestras and chamber ensembles in Carnegie Hall, Lincoln Center, and Symphony Hall.  He has been a featured soloist and chamber musician, performing concertos, solo and chamber music throughout South America, the United States, Europe and Mexico.  Mr. Espinoza is a prize winner of international and national competitions and awards. An avid chamber musician, his interest in researching, performing and arranging folk music from Latin-America for string quartet and chamber ensembles has brought him to different cities in South America including Buenos Aires to pursue studies with great tango masters including Maestros Berlingieri, Marceli, Requena and Plaza. 



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Alan Saul Saucedo Estrada  holds cello performance degrees from the Escuela Superior de Musica y Danza de Monterrey, Scola Municipal de Musica “Victoria dels Angels” in Barcelona, and Shenandoah University in Winchester, VA. He has been a prize winner in several music competitions, including the Second Yokohama International Music Competition in Japan. He has appeared in recitals in Paraguay, Brazil, Japan, Mexico, Portugal, Spain, and the USA and given presentations at the Smithsonian museum, the Kennedy Center, and the White House. Dr. Saucedo recently published a book entitled  “The Influence of Carlos Prieto on Contemporary Cello Music” based on his investigation of Latin American classical cello music . This book is currently for sale in all major bookstores around the world. Dr. Saucedo’s commitment to education has brought him to different countries, including Mexico, Spain, Paraguay, and the U.S. Dr. Saucedo currently co-direct the strings program at the Highland School and teaches at the Shenandoah Conservatory Arts Academy and the Music School of the Piedmont. He is artistic director of the Middleburg Concert Series, plays in the Roanoke Symphony, and often collaborates with ensembles and orchestras in the D.C. area. A strong advocate of Latin American music, Dr. Saucedo often premieres and includes music by new Latin American composers in his lectures and presentations. He is also a member of the Mexican Vitali string quartet, a group dedicated to the performance and promotion of Latin American classical music.

           


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Kristin Gilbert, cellist and pianist, graduated from Mills College and received her MA degree in music performance from Catholic University. She also studied as a graduate student at the University of Southern California and at the Aspen Music Festival. She is a founding member of the Coventry Quartet which was formed in 1988 at the Shenandoah Music Festival in Orkney Springs, VA. She has performed extensively with local groups, is a member of the Fairfax Symphony Orchestra, and teaches both cello and piano in her private studio in Falls Church, VA.

  

 

  



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Robert Jesselson is a Carolina Distinguished Professor at USC. He has performed in recital and with orchestras in Europe, Asia, South America, and throughout the United States, and has participated in the Music Festivals at Nice, Granada, Santiago (Spain), Aspen, Spoleto, the Grand Tetons, and in Brazil.  He has been principal cello of the SC Philharmonic Orchestra and the Orquesta-Sinfonica de Las Palmas, Spain. In 1983 Dr. Jesselson was in China for a six-month residency, one of the first Western cellists to visit that country. In December, 2001 he led a delegation of string players and teachers to Cuba to begin professional contact with Cuban musicians. He has also had teaching residencies at Sookmyung University (Korea), Sun Yat Sen University (Taiwan), University of Auckland (New Zealand), at the Royal College of Music in London, and in St. Lucia in the Caribbean. His CD of new music for cello and piano, “Carolina Cellobration”, is available on CD Baby and Cellos2Go.  Dr. Jesselson has been the national president of ASTA and the founding director of the National String Project Consortium. He plays a 1716 Jacques Boquay cello.



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Jonah Kim made his solo debut with Wolfgang Sawallisch and the Philadelphia Orchestra in 2003. The same year, he also appeared with the National Symphony Orchestra where the Washington Post music critic Joseph McLellan called him simply, "the next Yo-Yo Ma." Mr. Kim has soloed with the Atlantic Classical Orchestra, National Symphony Orchestra, New Philharmonia, Orquestra Sinfônica Nacional, Orchestra Filarmonica, the Philadelphia Orchestra, Symphony of the Americas and many others. He has played in prestigious venues such as Carnegie Hall, Merkin Hall, Wigmore Hall, California's Montalvo Arts Center, the Kimmel Center, the Phillips Collection and the John F. Kennedy Center. Highly sought after internationally as a chamber musician, Mr. Kim frequents festivals like the Atlantic Music Festival, Bari International Music Festival, Cactus Pear Music Festival, Chamber Music Silicon Valley, Hong Kong Arts Festival, Music in May Santa Cruz, and San Luis Obispo's Festival Mozaic. As a fellow at the Curtis Institute of Music, he studied the piano trio literature comprehensively with his trio with Chen Xi and Yuja Wang. Since then, he has collaborated with world class artists on four continents, sharing the stage with Martin Beaver, Bella Hristova, Naomi Kudo, Jon Nakamatsu, Elmar Oliveira, Ian Swensen, and Carmit Zori in recent seasons. Mr. Kim has played for Ensemble SF since its founding. He plays a Jean-Baptiste Vuillaume made in 1845 as well as a 2016 copy of it by Haide Lin. His bow is by Jules Fétique from the workshop of Eugène Sartory in Paris circa 1904.

 



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Susanna Mendlow  has performed throughout the United States, Europe, and Central Asia. A versatile musician, she enjoys playing and singing in a variety of styles, including classical, ethnic folk, pop, and improvisation. Her projects have brought her to such venues as Alice Tully Hall, Carnegie Recital Hall, Merkin Concert Hall, Miller Theatre, Symphony Space, Le Poisson Rouge, the Verizon Center, the National Gallery, and the National Cathedral. Susanna has collaborated with numerous artists, including Alan Kay, Frank Morelli, Dmitri Berlinsky, Philip Setzer, and Larry Dutton. She also has worked with composers Kaija Saariaho, Marc Neikrug, Frank Stemper, Stacy Garrop, and Judith Shatin, premiering works by the latter three. As a member of Moyindau, a semi-improvisational experimental jazz ensemble, she traveled to Kazakhstan and the remotest parts of the Kyrgyz Republic in order to establish cross-cultural connections via music. She currently plays in the Kassia Music Collective, Quintango, and Noam Faingold’s Burning City Orchestra. Susanna received her DMA from SUNY Stony Brook, her MM from Michigan State University, and her BA in both psychology and music from Columbia University. She studied cello with Suren Bagratuni, Misha Quint, and Colin Carr.




Sean Neidlinger  enjoys an active career as a recitalist, chamber musician, orchestral musician, and teacher. After receiving a B.M. from the Cleveland Institute of Music under the tutelage of Richard Aaron, he pursued further studies at New England Conservatory with Paul Katz. Described as "fiery" and "impassioned" by the Washington Post, Sean has been featured as a soloist and chamber musician at the Korean, German, French, and Austrian embassies, the Phillips Collection, the Kennedy Center Millennium Stage and Terrace Theatre, the Washington Metropolitan Philharmonic and the Friday Morning Music Club orchestras. He also has performed with the Baltimore Symphony Orchestra, the Kennedy Center Opera House Orchestra, the Eclipse Chamber Orchestra, and has served as principal cellist of the Amadeus, Winchester, McLean Orchestras, and the New Orchestra of Washington. He is currently the principal cellist of the American Pops Orchestra. Sean has toured Europe as a chamber musician and as a soloist and performs frequently with the National Chamber Ensemble and IBIS Chamber Music Society. Recently, Sean also embarked on a four nation tour throughout the Caribbean on a program of cultural outreach sponsored by the United States Department of State. As an artist always intrigued by mixed art forms, Sean won a grant to create a performance installation featured alongside the Warhol exhibition at the National Gallery of Art. He currently serves as the cellist for the Chamber Dance Project, an organization focused on new interpretations of chamber music repertoire combined with dance.                                    

                           

                              

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Daniel Shomper is an active performer and teacher in the Washington DC/Baltimore/Annapolis area.  The Baltimore Sun praised his ‘virtuoso playing’ and complimented his ‘masterful performance’ and ‘lyrical expression.’  He is a member of the Annapolis and Alexandria Symphony Orchestras, and has also performed with the National Philharmonic and Fairfax Symphony.  In addition to his work as an orchestral performer, he is an active chamber musician and recitalist.  He has performed at venues such as the Kennedy Center, the National Art Gallery, and the Washington Arts Club, among others.  Additionally, he has performed concerts and in prestigious music festivals in the United States and abroad, including venues in Moscow, St. Petersburg, Praugue, Budapest, Helsinki and Quebec. Mr. Shomper recently graduated from the University of Maryland where he completed a DMA in Cello Performance.  While at Maryland, Daniel studied with David Hardy, and also worked with Peter Wiley, Kenneth Slowik, Evelyn Elsing, and members of the Guarneri Quartet.  Daniel is currently on faculty at the Anne Arundel Community College .  

 

                 

Bomin Son Collins graduated Magna Cum Laude from Boston University with a Bachelor of Music and is currently finishing her Masters in Music Education at George Mason University. She started her music training early on the piano, but then switched to cello as her choice instrument at the age of 9. Since then, she has held principal roles in American Youth Philharmonic, Boston University Chamber Orchestra and was a fellow member of National Symphony Orchestra Youth Fellowship Program on a full scholarship. She has performed and featured as a soloist at multiple venues such as Carnegie Hall, Symphony Hall and Kennedy Center and has obtained numerous awards from competitions, including a Grand Prize from the Third International New Praise for Piano and Strings.  Collins currently directs and oversees over 240 students at Longfellow Middle School in Falls Church, VA, receiving superior ratings at participating competitions and state assessments. Her Chamber Orchestra, which is the highest level of five, was recently chosen to perform at Virginia Music Educator Association Conference in Fall 2016.  In addition to teaching, Collins is an active music coach in the community, has a thriving private cello studio, and freelances as a cellist. She continues to perform as a section member in the McLean Orchestra and American Festival Pops Orchestra.  She also serves as a faculty member at Ovations Summer String Academy at Mason, Vienna Summer Strings, and Cellospeak. She’s a member of National Association for Music Education. When she’s not teaching or playing the cello, she loves to travel with her husband, KC and explore the world. 

                                                   

                               

 

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Irina Tikhonova began playing the cello at the age of six. Her mother, Lydia, loved to sing and selected the instrument for Irina originally because the range of the cello is essentially the same as the range of the singing voice. The choice was obviously a good one as Irina went on to study at the Tchaikovsky Music Conservatory under Vladimir Panteleev. She graduated with her Bachelor of Music degree from the Music College in Kiev, USSR in 1981 and a Master of Music degree from the State Conservatory of Music in Kiev, USSR in 1986. Before coming to this country, Irina performed with the Harmony Philharmonic Ensemble of Soloists in Kiev, the Renaissance Chamber Orchestra, and was the assistant principal cellist in the State Symphony Orchestra. Since immigrating to the United States from the Ukraine in 1991, she has been Principal Cellist of the Saginaw Bay Symphony, the Saginaw Bay Symphony, the Dearborn Symphony Orchestra, and the Flint Symphony Orchestra. Irina also plays on occasion with the Detroit Symphony Orchestra and has a private cello studio in Royal Oak, Michigan. She loves bicycling.              

 

  

 

 


 

 


 


 


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